Earned | Not Inherited

London is the World's Best City for the 11th Time, Herne Hill Art Fair Has No Time for Velvet Ropes, Battersea Uncorks Free Wine Festival Again, Eat Around the World in Camberwell, Jon Baptiste Takes Up Residency at Koko's!

©Pete Karici

Quote of the Week - Nothing brings you peace but yourself.” - R. W. Emerson 

Good Afternoon, London. In this edition of The London Palette, the city makes its case, not with noise, but with evidence. For the eleventh year running, London has been crowned the World's Best City, and this week we unpack what that actually looks like on the ground. Meanwhile, descend beneath Crystal Palace Park this weekend, where dozens of independent makers are filling a restored Victorian subway tunnel with the kind of commerce no algorithm can replicate. And if your Friday evening needs a soundtrack worthy of the occasion, Boisdale's Canary Wharf stage hosts Le Freak on May 21, an eight-piece funk and disco powerhouse delivering the full Chic catalogue. Lastly, the Vietnamese word of the week reminds us that laughter and sorrow were never opposites, just frequent companions on the same journey. Enjoy this week’s edition.

Snatched highlights from this edition:

  1. The Borough That Made Culture a Public Right

  2. Camberwell's Menu, Every Continent, Free Entry

  3. Victorian Subway That's Quietly Outsmarting Amazon

  4. Live Music - RAYE, Motown Tribute, Heatwave & lots more!

Let’s dive in.

—Bybreen Samuels

COUNCIL CANVAS

The Borough That Made Culture a Public Right

©London on the Inside

Hackney Art Week answers the policy question that most councils wrestle with when dealing with culturally rich boroughs. In its second year, the Art Week ensures that the richness does not become the exclusive property of the people who can afford to live there, as it gentrifies. Running from June 4 to 14, this free event covers the entire borough. Ranging from Dalston, Stoke Newington, Haggerston, London Fields, Clapton, De Beauvoir, and Hackney Wick. Collectively, they bring together over one hundred and thirty artists across sixty venues.

The scale of the 2026 expansion is worth pausing on. Founded in 2025 by Lisa Baker and Anna McHugh, Hackney Art Week launched with a focused neighbourhood footprint and a theme of Reimagining Local. One year on, it has more than doubled its reach which speaks to a genuine desire from the community instead of being solely driven by institutional enthusiasm. The programme this year amplifies diversity. The composer Gabriel Prokofiev has curated over 100 live music events across clubs, warehouses, pubs and bakeries. You can also join in the borough wide art treasure hunt led by the Collagism™ Collective that turns London Fields into a living collage. You navigate it through hidden QR codes. The Dalston Cultural Quarter Takeover on June 6 and 7 fills Arcola Street with open studios, ceramics markets, and a street sound system.

As you travel across the borough you will notice that Hackney’s civic and cultural landmarks are repurposed as living galleries. There are local policies that have shaped this. Hackney's arts infrastructure has received meaningful public investment. They take the form of Arts Council England contributed £6 million to Hackney’s cultural organisations back in 2022. And the borough's Section 106 development funding mechanism was used to regenerate community arts projects. Also, the Windrush Amplified Art Grant, launched in 2024, specifically commissioned artists from the Windrush generation and their descendants to create public art work. These types of initiatives create the framework that makes something like Hackney Art Week possible and sustainable each year.

As London’s cultural funding landscape remains under pressure, Hackney’s model is one others should be studying. The sweet spot blends community originators, public and public sector investment, free access, distributed across the whole borough, not just the most photogenic parts. Hackney is demonstrating that supporting the arts helps a borough stay coherent, connected and remains itself. This style of cultural policy reflects good governance.

Find out more here - https://www.hackneyartweek.com

CITY PALETTE

20 Countries. One Green. No Passport.

©Urban Farmers

A piece of South London greenery transforms into every continent, on Saturday. Camberwell Green morphs into Eat Around the World. Throughout this free street food festival you will smell the aromas of Jamaican jerk chicken, Ethiopian injera, Vietnamese bánh mì, and Levantine mezze as they compete for your attention. Camberwell wears its pride as a home for global citizens. And cuisine is one way to make what already exists more visible. This distinction is worth savouring alongside a plate of moi moi and jollof rice.

As conversations about belonging, migration, and cultural identity continue to simmer across the UK, a community gathering that centres food as the universal language is a necessary act of resistance. Food has always done what politics struggles to do because it gets people around the same table. On the day you can sample delicious bites from dozens of traders, spanning dishes from twenty countries. As the dishes and flavours delight your tongue, the live music soundtrack will keep the energy high throughout the whole event.

It seems the future of our city’s cultural life increasingly lives in these hyperlocal, authenticity moments instead of pricey ticketed events. Camberwell may not be the Southbank, it has its own signature. And that is exactly the reason why you should be there on Saturday. Not as a tourist in your own city. But as someone who knows that memorable meals tap into cultures in some of the least expensive ways.

Find out more here - https://www.se5forum.org.uk

Finally, The Wine World Loses its Velvet Rope

©Battersea Power Station

Last year, one hundred and thirty thousand people turned up. However, this year organisers are expecting even more. When you look at what has been assembled, that figure stops being surprising and starts feeling inevitable. The Wine Circuit returns to Battersea Power Station for its second year, from June 12 to 14. It has outgrown its debut before the doors have even opened. Spanning Power Station Park and the iconic building itself, you can enjoy three days of British and international wine culture. Take your time as you move through this showcase, that is free of some of the pretensions of the wine world.

The curators have created a wide ranging programme. The free Artisan Wine Market runs Friday through Sunday and is filled with wine stalls, street food pop-ups, and bar takeovers. Whether you are a connoisseur or keen to understand more about your weekly tipple, your needs will be catered for. If on the other hand you want something more structured, there are ticketed options. For instance, The Wine Cup is a self-guided tasting tour where you can sample 13 wines from different regions and engage in a full slate of expert panel discussions.

On Friday evening join in Strictly Bangers, the legendary wine quiz, DJ night, and tasting session hosted by Bar Levan's Mark Gurney. Vanity Von Glow hosts Saturday evening’s Drag Wine Tasting. This is wine education delivered with sequins and show tunes. The Wine Circuit is reshaping the food and wine landscape. The latter’s industry has historically existed behind tightly kept gates by price and vocabulary. Alongside, the subtle social codes of the vineyards, wine bars and merchants.

However, events like this deliberately chip away at this outdated structure by offering free entry points and letting curiosity do the rest. Battersea Power Station is its own monument of reinvention and turns out to be the perfect host for a festival built on exactly the same principle. Namely, that something which once belonged to a few, can with the right intention, belong to everyone. This is a weekend that does not have to be tightly planned. Delight in discovering a Portuguese natural wine producer you have never heard of. Lean into a panel discussion you had no idea you would enjoy. Then leave with three bottles and a new opinion about Duckhorn Chardonnay.

UNDISCOVERED GEMS

Above the Tracks, Below the Radar

©Eventbrite

Sitting above a train station is the brand new, community based Herne Hill Art Fair. It arrives for its second weekend running from May 15 to 17. While the costly art fairs nudge for column inches at Somerset House and Battersea, something quieter and more interesting is happening above the platforms at Herne Hill Station. Inside a stunning Victorian venue, Herne Hill Art Fair debuts. It forms part of the wider Dulwich Festival Artists’ Open House trail.

Over the three days, twenty five artists display their work encompassing a wide range of media. Discover original paintings, works on paper, screen prints, ceramics, realist drawings, and illustrations. The creators are both locally based and from across our city. Their works are reasonably priced. The Art Fair is making a deliberate point that collecting original art can come from anyway, not just a Mayfair postcode. Nor do you have to be invited to a private viewing.

London's art calendar is saturated with fairs that promise discovery but deliver commerce. Herne Hill takes a different position by promoting small by design, with community focused energy. Meaning you are as likely to have a real conversation with the artist as you are to walk past a velvet rope. Enter the serene environment that entices you to linger instead of rushing through the exhibits. This Art Fair values connection over transaction. More broadly, Dulwich Festival has always known that vital creative communities rarely broadcast themselves loudly. Now that you know this is, it is worth taking a train ride to SE24.

London Buzz

Eleven Years Running. Still Nobody's Even Close.

©Shutterstock

Right now, you are living in a city that glows with a particular kind of confidence. Not from arrogance, but from quiet authority, accumulated over time. For the eleventh consecutive year, London has been named the World's Best City in Resonance Consultancy's Annual Global Rankings. We are ranked above New York, Paris, Tokyo, Madrid, and Singapore across 34 subcategories covering prosperity, liveability, and lovability. Eleven years in a row, shows it is not a fluke, rather it is through strategy and structure.

The numbers behind the crown are worth celebrating properly. London ranked first globally in Prosperity, driven by its major airports, world class business ecosystem, and corporate footprint. Second in Lovability as a vibrant, warm, welcoming city for tourists. Third in Liveability, reflecting continued investment in infrastructure. Ipsos went further, and independently confirmed London as the world's most desirable city in its own prestige index.

However, alongside the celebration, Euromonitor's Top 100 City Destinations Index quietly dropped London from thirteenth to eighteenth place this year. Paris claimed the top spot for the fifth consecutive year. We might be winning at culture but slipping in sustainability is the kind of gap that, left unaddressed, eventually shows itself

But what no ranking captures is what Spring 2026 actually looks like on the ground. A Tracey Emin retrospective at Tate Modern. Schiaparelli at the V&A drawing queues around the block. Similar to Freddie Mercury’s exhibition at Sotheby’s, in 2023. Hackney Art Week unfolding across the whole borough. Carnival 60 building toward August Bank Holiday. And LUMINISCENCE is about to complete Westminster Cathedral's unfinished domes in light, 120 years late, and worth every one of them. None of this happened by accident. It happened because London has maintained a cultural infrastructure dense enough to sustain world class programming simultaneously, across every postcode.

The deepest truth? The capital’s reign was never about the landmarks. Paris has better landmarks. Rome has a deeper history. What we have is a city that reinvents itself continuously while remaining coherently, and unmistakably itself. The ranking is confirmation of something you already know in your bones. You live in the best city in the world, not by accident, but because you chose to. And it keeps choosing you back.

London Soundscape

Boisdale of Canary Wharf — May 21 and 22

A Studio 54 doorman once turned Nile Rodgers away on New Year's Eve and in fury, he went home and wrote Le Freak, the biggest-selling disco single in history. That glorious act of defiance is what you're celebrating on Thursday, May 21. Le Freak is an eight piece funk and disco powerhouse, led by two extraordinary vocalists, including Hazel Fernandes and Valerie Etienne, both veterans of Jamiroquai's legendary band. They deliver Good Times, I Want Your Love, and the full Chic catalogue with the authority of people who genuinely live inside the groove.

Before Boogie Wonderland, there was Boogie Nights, Heatwave's own 1976 masterpiece that made a generation realise the dancefloor was the most honest place on earth. The band, still carrying the flame of founder Rod Temperton who also wrote Thriller for Michael Jackson, brings their irresistible blend of R&B, funk, and polished disco heat to Boisdale's on May 22. The classic Always and Forever alone is worth the ticket price.

Book tickets here - https://www.boisdale.co.uk

Koko - June 24

Four nights, four completely different shows and only one artist could pull this off. Jon Batiste, eleven-time Grammy winner and Academy Award laureate, lands at KOKO for his extraordinary World Festival Residency. This is a symphonic night with full orchestra performing American Symphony; a fan-curated by request evening. Batiste and Voices: Songs of Hope and Change with surprise guests and singalongs. And a fourth concept show that is yet to be revealed. This is one of those shows where you experience something that’s unrepeatable.

Book tickets here - https://www.koko.co.uk

02 Arena - May 19 and 20

RAYE didn't wait for the industry to open a door, she rebuilt the building on her own terms. Her This Tour May Contain New Music lands at The O2 on May 19 for the fifth of six sold out nights. A jaw-dropping residency that speaks volumes about where this three time Grammy-nominated Londoner now sits in the global pop conversation. Her sisters Absolutely and Amma open the show, turning the evening into a full family statement of intent. From the blistering Escapism to her defiant new single Where Is My Husband!, this is a victory lap that feels entirely earned.

Pizza Express Live Soho - May 21 and 22

Some musicians don't just play a genre, they reshape it from the inside. And George Duke did exactly that. Reach for It: The Genius of George Duke brings his extraordinary catalogue blazing back to life. Carl Hudson leads a powerhouse including Mary Pearce on vocals by tracing the arc from George’s mercurial years with Frank Zappa's Mothers of Invention through hit-making collaborations with Stanley Clarke, Billy Cobham, and Al Jarreau. Then all the way to his Montreux triumphs. They deliver big funk, groovy jazz, and major Brazilian fire, on the night.

Havana never left, it just took up residency in Soho. Oreste Noda, one of the UK's finest percussionists, born and raised in Matanzas, Cuba, brings his celebrated Sambroso All Stars ensemble to Dean Street. Their two shows on May 22 pay tribute to the Grammy-winning Buena Vista Social Club album which is still the high watermark of world music. . The evening show is your perfect Friday surrender.

St. Martin’s in the Fields - May 16

There's something deliciously subversive about taking Detroit's greatest music underground. Descend into the vaulted Church Crypt beneath Trafalgar Square on Saturday, where Major Tones Music and Entertainment transforms this atmospheric medieval space into a full Motown cabaret. The Jackson 5, Marvin Gaye, Stevie Wonder, The Temptations, The Supremes, Martha Reeves, The Four Tops are all brought to life by some of the UK's finest vocalists and musicians.

St. Paul’s Church - May 18

Shake up your Monday evening by stepping through the doors of St. Paul’s, the beloved Actors’ Church. Happy Voices, one of Sweden’s most cherished choir communities, will be there to fill the vaulted space with their signature joyful, uplifting spirit. Conducted by Gabriel Forss, this vibrant ensemble brings Scandinavian warmth and precision to one of London’s historically resonant stages. No need to book a ticket. Just turn up, settle in, and let the sound do the rest.

Find out more here - https://actorschurch.org

Business Scene

Victorian Subway That's Quietly Outsmarting Amazon

©James Balston

Underneath Crystal Palace Park, there is a Victorian tunnel that survived a catastrophic fire in 1936, and remained dormant for decades. Recently, £3.5 million was invested to restore it and this weekend, forty six independent makers are going to fill it with the kind of commerce that no algorithm can replicate. Handmade Palace returns to the Grade II* listed Crystal Palace Subway. What looks like a charming craft market is actually a masterclass in the creative micro-economy operating at full capacity.

On the surface the numbers are modest with less than fifty stalls, an entrance fee of £2.50 entrance fee, and a south London postcode. But the business model underneath is worth unpacking. Every stallholder is a maker selling directly to the customer, cutting out the retail middleman. So there are no lost wholesale margins, no platform fees, and no algorithm deciding who gets visibility.

This is direct to consumer commerce in its purest, oldest form and is much needed. Particularly, in a landscape where independent makers are increasingly squeezed between rising materials costs and e-commerce giants. A regular, curated, high-footfall physical market is a lifeline. The restored subway was funded by Historic England, the Crystal Palace Park Trust, and the National Lottery Heritage Fund. It now provides the kind of venue that money genuinely cannot buy. One that is atmospheric, historic, and very distinctive.

The restoration of heritage sites and the creative economy are deeply connected. One needs the other to justify its existence. The Crystal Palace Subway needed a use that matched its extraordinary character. Handmade Palace needed a venue that elevated its makers above the noise of every other market in the capital. The partnership between the event and the Crystal Palace Park Trust is the kind of public-private-community triangle that regeneration policy aspires to but rarely achieves so elegantly. The subway is now, effectively, earning its restoration, one £2.50 entrance fee and one handmade ceramic at a time.

The business insight here is this. Supporting makers at events like Handmade Palace is an active economic choice. Every direct purchase from an artist keeps a micro-business viable. Keeps a creative practice alive. And keeps the kind of human-scale commerce that makes London distinctive from being slowly hollowed out. The subway opens. The makers set up. And for two days, a Victorian tunnel becomes one of the most radical commercial spaces in the city.

LINGUISTIC TAPESTRY - WORDS OF THE WEEK 

English Word:
Enkephalin
Pronunciation: /ɛnˈkɛf.ə.lɪn/
Definition:  A naturally occurring peptide produced in the brain that binds to opioid receptors, triggering feelings of pleasure, pain relief, and emotional wellbeing. It’s the body's own quietly powerful mood architect. Cultural Note: From the Greek enkephalos, meaning in the head, enkephalin is one of the body's endogenous opioids. Chemical cousins of morphine, but self-generated. What makes this word culturally fascinating is what it implies. That the capacity for bliss, relief, and euphoria is not something we seek outside ourselves, but something already wired within us.

Vietnamese Word:
Buồn cười (buồn cười)
Pronunciation: /ɓuən˨˩ kɨəj˧˩/
Definition:  A feeling that sits at the curious intersection of sadness and laughter. The strange, involuntary urge to laugh at something that is simultaneously a little melancholy or absurd.
Cultural Note: Literally meaning "sad to laugh," buồn cười captures a uniquely Vietnamese emotional register that has no direct English equivalent. It reflects a cultural wisdom embedded in the Vietnamese worldview. Laughter and sorrow are not opposites, but frequent companions.

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©BybreenSamuels ©The London Palette